Equipment rent

The L5 addition to the L-Series perfectly complements the L7, allows for more mobile lighting and a wider range of power classes for television studios. Its compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups. Low heat allows safer and more comfortable shooting conditions. This versatility and superb light quality make the L5 a highly anticipated addition to the award-winning L-Series family.

• Lamp Type: RGBW LED Light Engine
• Optical System: Focusable Fresnel
• Lens Diameter: 137 mm
• Beam Angle: 14°-50°
• Color Temperature: 2800 to 10,000 K ± 100 K
• Color Temperature Tolerance: +/- 100 K (nominal), +/- 1/8 Green-Magenta (Nominal)
• Color Rendition: CRI Average > 94, TLCI Average > 90
• Dimming: 0 - 100% Continuous
• Handling: Adjustable Sliding Stirrup; High Strength Tilt Lock; Pole Operation Option (Pan, Tilt and Focus)
• Mounting: 16 mm / 28 mm Combo Pin
• Tilt Angle: +/- 90°
• Weight: Manual Version - 5.1 kg; Pole Op Version - 7 kg
• Power Supply Range: 90 - 250 V AC, 50 - 60 Hz
• Power Consumption: 100 W Nominal, 115 W Maximum
• Estimated LED Lifetime: 50,000 hours

The L7 is a mid-range model, featuring a 7 inch Fresnel lens and accommodating the vast majority of applications. The L7 takes full advantage of LED technology by allowing complete control over light intensity and color. At the heart of the L-Series are a few core concepts: tuneability, color fidelity, high build quality and ease of use. Three simple knobs permit the brightness, color temperature from 2,800 K to 10,000 K and green/magenta point to be fine-tuned, while a focus knob on the side of each fixture allows for smooth adjustment of the beam spread, just like conventional source. With color mode the calibrated light engine of L7 enables to set hue and saturation values, creating a huge range of vivid colors.

• Lamp Type: RGBW LED Light Engine
• Optical System: Focusable Fresnel
• Light Aperture: 175 mm
• Beam Angle: 15°-50°
• Color Temperature: 2.800 K – 10.000 K
• Color Rendition: CRI Average > 94; TLCI Average > 90
• Color Temperature Tolerance: +/- 100 K (Nominal), +/- 1/8 Green-Magenta (Nominal)
• Dimming: 0 to 100 % Continuous
• Handling: Adjustable Sliding Stirrup; High-Strength Tilt Lock; Pole Operation (Pan, Tilt, Focus)
• Mounting: Spigot 28 mm Junior Pin
• Tilt Angle: +/- 90°
• Weight: Manual: 8.2 kg; Pole Operated: 10 kg
• Power Supply Range: 100 - 250 V~, 50 - 60 Hz
• Power Consumption: 220 W Maximum
• Estimated LED Lifetime: 50 000 hours

The Dedolight Felloni Tecpro 50 High Output Bicolor LED Light runs on 576 LEDs and has a flood beam angle which gives lots of coverage at close range. Nearly doubling the amount of LEDs enables the Felloni to produce nearly double the output as compared to the Standard Version. The bicolor LEDs are variable in fine steps from 3200 - 5600K, covering the tungsten to daylight balance range. This is the perfect light when speedy setup is of paramount importance. You can forget about fumbling with gels and gaffer's tape and just start shooting. If you need a broad even light to establish a base light level on set, or require a fill light or light for a large subject, the Felloni Techpro 50° High Output is for you. The 1 x 1', 2 kg panel is virtually heat-free, so you can squeeze it into places where other lights just can't go without worrying about harming the talent.

• Color Temperature: 3200 to 5600 K; Color Accuracy Standard: CRI 84
• Dimming: 0 to 100%
• Number of LEDs: 576
• Fixture Dimensions: 30.4 x 30.4 x 7.6 cm; With Yoke: 38.0 x 35.2 x 7.6 cm

This is a Lowel Basically 3 Kit, 230V. It combines two of the most popular fixtures in the Lowel line-up – the Tota-light floodlight, and the Omni-light focusing flood. This kit is equipped for 230V AC current. Compact, rugged and versatile, the broad-throw Tota-light can be used with its umbrella or gel frame and diffusion as a soft key light, fill light, or backlight. With its adjustable reflectors, it can be a smooth and even background light, or point it at the ceiling to raise the ambient (base) light level of a room. Tota-lights are also widely used for photographic copy work. The wide focusing range of the Omni-light makes it a flexible key light or backlight. Add diffusion or an umbrella, and it's a soft fill source. Available with a host of accessories and built for heavy-duty long life, the popular Omni is the perfect companion to the Tota.

• Contents:
• 2 x Lowel Tota-Light Tungsten Flood Light
• 2 x Impact EMF Lamp
• 3 x Lowel Omni Light Stand
• Lowel Complete 4-Leaf Barndoor for Omni Light
• Lowel Tota/Omni Gel Frame for 10x12" Gels
• Lowel TO-83 Case

The FreeStyle 31 is known for its high color rendering white light, full hue and saturation color, cinema gel choices, and RGB chromatic selection via the AC/DC FreeStyle 150Watt controller. The light can also be operated directly up to 50 feet away from the controller via Kino Flo head cables. The Freestyle's driver technology achieves bright, soft light with continuous dimming from 100 % to 0 % on a linear or square curve without flicker at higher camera speeds or at varied shutter angles. There is no light level change when shifting from 2500 K to 9900 K, and the color doesn't change when the light levels rise or fall. The LED panel’s corner bumpers can be used to hang from rope or wire. The panel also takes a Twist-On mount for working on light stands. The Freestyle 31 comes complete with the full color, programmable FreeStyle controller, Head Cable (25ft), Complete Fixture with removable LED panel, and a twist-on KinoGrip Center Mount. Honeycomb 90° or 60° louvers, mounted with Velcro, give direction to the light, and when removed the panel displays a broad soft beam across the set.

• Operating Voltage: 100 to 240 VAC, 50/60 Hz (with Optional Controller)
• Dimensions: 103 x 28 x 9.0 cm (with 16.5 cm Barndoors)
• Color Range – with Required Controller: Standard Range: 2700 to 6500 K; Extended Range: 2500 to 9900 K

Kino Flo’s FreeStyle 21 LED unleashes your creative side by using a newly designed quick-release system to remove the LED panel from the plastic housing. The smaller form factor and lightweight LED panel combined with four corner bumpers add further rigging versatility. The LED panel also includes an additional mating plate so it can still be mounted on a stand.

• Built-in Barndoors, Honeycomb Louver, Center Mount: Removable LED Panel with Center Mount and Molded Corner Mounts
• Manual and DMX Dimming w/ Auto Terminate
• Tunable Kelvin: 2500 K to 9900K

The frost frame is a unique Studio accessory performing various functions. First of all, it is used to hold light diffusing scrims, color gels, black or gray flags. The frost frame is collapsible for the ease of delivery and transportation. Reliable fasteners make it possible to disassemble and assemble the frost frame in a few seconds so that one can use it not only in the studio but also on location.

• Weight: 1.55 kg
• Material: Aluminum
• Dimensions: 122 х 122 cm

Led spotlight with Fresnel lens RusRay NK 25 P is designed for professional use both in the studio and on location. НК 25Р gives a directional luminous flux with a color temperature of 3200 K or 5600 K. The lamp is characterized by electronic focus control by means of a servomotor. The lamp is equipped with manual controls of the intensity of the luminous flux and the beam angle from 10 to 45 degrees. Power is supplied by any 12-30 V power source.

• Luminous Flux: Not less than 2500 lm
• Mount: Spigot Adapter: 16 mm
• Color Temperature Tolerance: 0 -100%
• Colour Rendering Index: > 92
• Colour Temperature: 3200/5600 K
• Handling: Manual
• Power: 12-30 V
• Power Consumption: 18 W
• Dimensions: 210 х 220 х 140 mm
• Weight: 1.7 kg

The Avenger H800M 8.0 x 8.0' Modular Overhead Frame is comprised of heavy duty 3.0 mm thick square section tube that slot and pin lock together, rapidly providing a stable frame for silks, scrims, etc. By reducing or adding tubes you can vary the frame size.

The Avenger H800M 8.0 x 8.0' Modular Overhead Frame is comprised of heavy duty 3.0 mm thick square section tube that slot and pin lock together, rapidly providing a stable frame for silks, scrims, etc. By reducing or adding tubes you can vary the frame size.

Cutter. Made of Black Commando fabrics, Cutters and Floppies stop light completely and are used to control or cut illumination sources, whether natural or artificial. They can also be used to protect camera lenses from flare.

Cutter. Made of Black Commando fabrics, Cutters and Floppies stop light completely and are used to control or cut illumination sources, whether natural or artificial. They can also be used to protect camera lenses from flare.

• 30"x36"
• Triple Scrim

• 30"x36"
• Triple Scrim

• 1/4 Stop Silk 1.2m х 1.2m
• 1/4 Stop Silk 2.4m х 2.4m

• 1/4 Stop Silk 1.2m х 1.2m
• 1/4 Stop Silk 2.4m х 2.4m

Lastolite LL LR3096 30-Inch 5-In-1 Reflector Diffuser with Gold/White and Sunfire/Silver Bottletop

Lastolite LL LR3096 30-Inch 5-In-1 Reflector Diffuser with Gold/White and Sunfire/Silver Bottletop